Video of the final So Many Roads - No Place Left to Go - Ain't That a Shame

The final show in fact.

My favorite part is the 'little notes' at the end (around 11:10 it starts in this video). Jerry's just puts an already stellar performance to bed with some little final masterful strokes.  The finest ever seen.

...All I know the sun don't shine
And the rain refused to fall
And you don't seem to hear me when I call

Wind inside and the wind outside
Tangled in the window blind
Tell me why you treat me so unkind
Down where the sun don't shine
Lonely and I call your name
No place left to go, ain't that a shame?

Little known fact: this version (on the box set So Many Roads) has a different into spliced into the beginning and has one guitar edited out.


thanks taste4phree for putting this footage on youtube.

Fire on The Mountain - Grateful Dead Song Review

Fire on the Mountain is one of those "entry level" Grateful Dead tunes that everyone loves.  Of course, as it usually comes on the heels of Scarlet Begonias (as part of the eponymous "Scarlet Fire" abbreviation on tapes back in the day), the band is usually primed and hitting on all cylinders while feeding on the high energy of an enthusiastic crowd by the time Fire on the Mountain hits its stride.

Why do I call it an "entry level" song? Probably because it is so instantly like-able. It's such an infectious chant, and the entire song is built on the same 2 major chords.  It's about as simple as a song can get harmonically, so it's so accessible to the listener no matter what their musical taste or background is.

The song came from a Mickey Hart album originally and the music is credited to Mickey (words by Robert Hunter).  I have always imagined that the song's lyrics were a message from Hunter to Garcia about his life which was consumed by the Grateful Dead machine and a message to Garcia to "slow down." I have absolutely nothing to back up this theory but some lines would make sense if this were the case:

You say it's a livin, we all gotta eat
But you're here alone, there's no one to compete.
If mercy's in busness, I wish it for you
More than just ashes when your dreams come true.

also

The flame from your stage has now spread to the floor
You gave all you had. why you wanna give more? 
The more that you give, the more it will take
To the thin line beyond which you really can't fake.


Fire Without Scarlet?

One thing I've never liked the idea of is a Fire on the Mountain that is played without Scarlet Begonias prior. that's like skipping dinner to eat dessert, it just doesn't feel right.

Legendary Versions 

I wish I kept better track of the great versions of songs like Fire on the Mountain that I hear.  I think most Fire on the Mountains are probably very good but some are great.  The song is very long though and I think it has the potential to drag a little bit.  Also, the soloing is all Garcia, so if he is really "feeling it," it might push the song from great to legendary.

I admit that when I listen to live show recordings (typically on jogs, occasionally long drives) I usually listen pretty carefully to Scarlet Begonias and the jam into Fire on the Mountain, but then I usually fast forward the rest of Fire on the Mountain. As much as I love it, I've heard hundreds of versions and it's a really long and repetitive song.

I do know 2 versions in particular that I've heard many times that are really great. You are probably familar with them as well:

• Cornell 5/8/1977 (after "Take a Step Back")  you can hear this show here on archive.org.  This show is familiar to almost all Deadheads it is often touted as the "best show ever" and if you are skipping  to the 2nd set be sure to start the tape at the legendary "take a step back" speech.

• Hamilton, Ontario 3/22/90.  The video for this entire 2nd set is below  (thanks to youtube uploader jamman6565 for this upload). This version is from a highly regarded show in Canada that has been brought to my attention so many times that I think it's safe to say it has "legendary" status. This version is the tail end of the Brent era and is very high energy and very special.  This version is also included on the So Many Roads box set.

Fire on the Mountain Song Rating on a Scale of 1-10: 9.4

Disclaimer: This is part of my blog that reviews all things Grateful Dead for fun. Music is a beautiful thing because it is so personal and subjective, so keep in mind that this is one man's opinion.

Death Don't Have no Mercy - Grateful Dead Song Review

Death Don't Have no Mercy is a great slow bluesy grind that the Dead played early in their career (from 1966 through 1970) and also revived in 1989.

Death Don't Have no Mercy was written by Reverend Gary Davis and Jerry Garcia sings the whole song on Live/Dead. I can only assume that he did so on all the old versions of the song.  The 1989 version of the tune has Jerry singing the first verse, then Bob, then Brent, and then Jerry.

This song is really dark, and could be boring.  But the performances I've heard are really ominous and the Dead "pull it off" by keeping the song interesting with this dark energy.

An Unbelievable Guitar Performance

The version that is on the So Many Roads Box Set features some really unbelievable soloing by Garcia. Garcia's lyrical guitar style is typically associated with clean jazzy leads (or at least that's what I feel best represents his talent).  I do not really associate Garcia with "shredding the blues" - which is what many guitarists build their entire career on.

However, this performance features Garcia "shredding the blues" and it is just an unbelievable lead.  It is really flawless and almost hard to believe it is a "one-take" live performance.  I could almost point to this guitar performance as a sort of pinnacle of Garcia's later years.  Also, bonus points for him pulling it off at Shoreline (commonly referred to as "Snoreline"), where Garcia (and the band) often seemed a little too relaxed to pull off career defining musical moments.

Here is the link where you can hear 9-29-89 Shoreline on archive.org.

Death Don't Have no Mercy Song Rating on a Scale of 1-10: 8.3

Disclaimer: This is part of my blog that reviews all things Grateful Dead for fun. Music is a beautiful thing because it is so personal and subjective, so keep in mind that this is one man's opinion (and be sure to read my blog manifesto to understand a little more about where I'm coming from).

Broken Arrow - Grateful Dead Song Review

Am I a cheesy guy for loving this song??

Who else is gonna bring you... a broken ahahaharrrrowww (that spelling is my attempt to emphasize the nasal timbre of Phil's voice).

I tallied up all songs I saw at Dead shows and this one is in first place! This song I saw 6 times (and it is tied with So Many Roads and Liberty). I love all of these songs and I'm probably one of the few really hardcore Deadheads who would state that unequivocally. That alone tells you what kind of Dead I like - the later years.

Now I admit, I can see both sides of this argument of which era of the Dead is better because, frankly, if you took a tape of Broken Arrow from the Los Angeles Sports arena in 1994 and played it for a Dead Head in 1977 they would probably try to do something drastic to prevent this outcome for the Dead (ie "Terminator" style of altering the future).... and this might not bode well for Phil making it as far as he has...

And I can also admit that Broken Arrow is... a little cheesy. I distinctly remember talking my friend Josh into seeing the Dead with me and him particularly being disgusted with this song (he pointed out that it is a Rod Stewart song - that's hard to defend- not that there's anything wrong with Rod Stewart...).

But let's talk about what's good about Broken Arrow. It is a very good composition and the Dead played it with a tasteful mature "smooth jazz" approach that I really enjoy. Vince does some nice descending "waterfall" melodies throughout and Jerry uses a guitar effect that sounds like a pitch shifter which is interesting too. The melody is very catchy and romantic. Phil's vocals are always a little unpalatable for me, but it underscores the beauty when Jerry and Bobby back him up periodically in the song:

There you go, ooooh ooooh.

So as a Dead fan who saw Broken Arrow six times, I'm going to go on record as saying I enjoyed every single one I saw. Now, if I had the chance to trade in all six Broken Arrows for one Help->Slip->Frank, would I? Probably (heck I'd probably trade them all for a China Doll - which I also never saw), but it is a cool song nonetheless and I hope to hear Phil sing it when I see them in LA this May. With my history of catching this song so frequently - it's a good bet they'll play it if I'm in the audience.

Broken Arrow Song Rating on a Scale of 1-10: 7.4


Disclaimer: This is part of my review of every Grateful Dead song from A-Z. Music is a beautiful thing because it is so personal and subjective, so keep in mind that this is one man's opinion (and be sure to read my blog manifesto to understand a little more about where I'm coming from).

Believe it or Not - Grateful Dead Song Review

Believe it or Not

A great ballad, a wonderful song. I love the version on the So Many Roads box set, and I’ve heard at least one live version that had heartfelt singing at the end, but was sloppily played by the band and Jerry, probably owing to it not being played often. It has the same coda as Gomorrah and that riff is killer, I don’t blame Jerry at all for trying to get more mileage out of it.

This song’s lyrics were written by Robert Hunter (I just had to look and verify that in the songbook – it is kind of difficult to tell, isn’t it?). This song has a kind of classic “Old Timey” ballad feel to it almost like a period piece. I’m surprised the song didn’t make it into the JGB repertoire – it would have been the perfect fit.

If anything, I would say this song should score higher because it is a Jerry Ballad that he sings a soulful repetitive phrase at the end of (like So Many Roads and Standing on the Moon) but it's "old timey" lyrics and traditional composition just make it feel a little less like a Grateful Dead Song.

Believe it or Not Song Rating on a Scale of 1-10: 8.1

Disclaimer: This is part of my review of every Grateful Dead song from A-Z. Music is a beautiful thing because it is so personal and subjective, so keep in mind that this is one man's opinion (and be sure to read my blog manifesto to understand a little more about where I'm coming from).